問題描述:
動畫片作爲一種影視藝術在中國已經發展了70多年的時間了，期間出現了許多脍炙人口、蜚聲海內外的優秀作品。無論是50年代末60年代初的《大鬧天宮》、《小蝌蚪找媽媽》等，還是70年代末80年代中的《哪吒鬧海》、《三個和尚》、《曹沖稱象》等，都給人留下了深刻的印象。可是到了90年代以後就鮮有這麽優秀的作品出現了。中國動畫陷到了一個很大的深淵裏，中國動畫已不在像以前那麽輝煌了。中國的動畫者們已經認識到了這一現狀。在美、日動畫充斥的今天，中國的動畫工作者們仍然在不斷的探詢著屬于我們自己的動畫發展道路。本文將從國産動畫的新生代《寶蓮燈》開始，結合動畫的創作和市場，以及與其他國家相比較，探詢中國動畫的發展。中國動畫都有哪些弊端，在保持民族特色的同時，如何在藝術性與商業性上找到完美的結合點，這些都是本文所關注的。
進入到二十一世紀的中國動畫必然有更大的發展前景，讓我們一起來展望中國動畫的燦爛未來。
參考答案:
As a television cartoon art in China has developed over 70 years of time, During the many popular, famous at home and abroad of good works. Both the late 1950s and early 1960s, the "big trouble" and the "small tadpole to see my mother," and so on. The 1980s or the 1970s "Neizhanaohai", "shocking", "Cao Chong as saying," and so on. All this left a deep impression. But during the 1990s, after a few such outstanding works. Chinese Cartoon fall into the abyss of a great, the Chinese animation has not become less as a brilliant. China's animation who have come to understand that the status quo. In the United States, the Japanese animation flooded today, China's animation workers still in the continuing probe belonging to the animation of our own development path. This paper will be made by the new generation of animation, "Troupe", the combination of creativity and animation markets In comparison with other countries, explore the development of Chinese animation. What are China's animation shortcomings in the same time maintain national character. How to find the perfect artistic and commercial point of integration, which are of concern to the paper. Entered the 21st century, China will have greater prospects for the development of animation. Let us work together to the brilliant future prospects of China's animation.
大概是對的！